Showing posts with label #idlenomore. Show all posts
Showing posts with label #idlenomore. Show all posts

Saturday, December 9, 2017

They Say It's Your Birthday



Happy Birthday Canada. You made it to 150. Which impresses pretty much no one outside of Canada. And not really everyone within Canada.

The Bank of Montreal is stepping all over the country's big day to promote its 200th birthday. It is sad and disturbing that a Canadian bank is older than Canada.

Although it does say a lot about what this country was founded upon.

Yet, I am not going to jump on anyone's hashtag to protest this moment and not because no one ever jumped on one of my hashtags.

No one should tell a single parent with three kids they can't go to the community BarBQ or the fireworks because someone created a hashtag.

No Native artist should apologize because they are actually getting paid to perform and share their work during a national celebration.

Leading up to Canada Day, I saw many media reports about how Indigenous Peoples were protesting Canada 150. 

A story on national news was filled with images of a Pow Wow while a disembodied voice spoke of protest.

These two things are not the same. This person speaking from an unflattering Skype angle did not speak for the people at this Pow Wow.

It does fit into the Canadian media obsession with conflict when it comes to the Native beat.

*

July 1, 2017 came and went with fireworks just a little bit brighter.

In Native communities around the country the day was celebrated.

Our people love a party and they deserve a party.

On the national stage - National Chief Perry Bellegarde in full regalia danced with other traditional dancers to the Pow Wow drum and it was a beautiful thing.

Buffy Sainte-Marie delivered a career defining performance that may come to define this country.

The people who set up a TeePee on the grounds of the Parliament buildings got to speak face to face with Justin Trudeau, the Prime Minister of Canada. This would not happen in the United States.

Some got a chance to be heard and they dropped the mic in a way that kept screeching feedback to be remixed and repeated.

If you have a press conference you are going to have press. Be ready.

This is the way it is now.

This is the time of lasting memories and creating histories..

People have to move forward together.

Do not assume lead without taking direction.

Canada has always been making itself up.

July 1 is not Canada's birthday, it's March 29.

So I wish a happy belated birthday to Canada as most of you already did.

  

***

Thursday, December 18, 2014

2014 - The Year in Music

2013 was the year Idle No More smashed Canadian complacency like a huge rock landing in the middle of a calm lake. 2014 saw a Tidal Wave of Native Music washing from sea to sea to sea created in that wake up call.

Canada's Conscience Award - Neil Young took up the challenge to Canada and rock n roll's conscience brought the message home. Young kicked off the year with the Honor the Treaties Tour on Sunday, January 12 at historic Massey Hall in Toronto. Young raised awareness but also money for the Athabasca Chipewyan First Nation to hold back further Tar Sand developments on their territory. Dianne Krall joined in with Young for some of the tour dates although support from Canada's music and entertainment community was sadly lacking.

Worth the Wait Award - In March, the Juno's recognized George Leach with Aboriginal Album of the Year and it was well deserved. Leach's Surrender came 12 years after his much loved debut album "Young Enough". It showcased a musician and songwriter expressing his art at the height of his talents. He continued to exercise his love of traditional and gutbucket blues while spicing up the disc with straight up rockers and more experimental sounds that veered into the pop polish of Coldplay. It was a great second album. Hey George, don't make us wait so long for the next one.

MTV's Rebel Music - MTV chose Supaman's Prayer Loop Song for it's video of the Week in March of this year and it signaled that the Music broadcaster south of the border was seeing rumblings of a musical revolution. MTV followed up that promise later in the year with the broadcast of Rebel Music which showcased Witko, Inez Jasper, Frank Waln, and Nataani Means.

Breakthrough of the Year Award-  The Canadian Academy of Recording Arts and Science gets the breakthrough of the year for awarding A Tribe Called Red the Juno for Breakthrough Group of the Year. Perhaps the glass ceiling won't be completely repaired by the time the Juno nominees are decided for 2015. If all the Native Artists are in one category and there is no room for us in the other categories then we will know.

Idle No More Anthems - Tara Williamson's Come My Way makes me want to blockade the railway and fall in love all at the same time.
Nadjiwan released Broken Treaty Blues which brought the message with a bumping guitar riff, war drum beats and angry chants.

Songs for our Missing and Murdered - Pray Sister Pray was the first single released from Crystal Shawanda's The Whole World's Got the Blues and it was no doubt intentional. In this powerhouse song Crystal lays down one of the harshest lines of the year a cold hard slap in the face of Canadian false humility. "They're just glad another is gone." The prayer at the end of the song is for all of us.
In the song Bella from Leela Gilday's fantastic disc Heart of the People, she sings, "They say we're still to blame for the things that happened to us." It was the truth and it was painful and defiant.
Shawnee who released one of the year's best rock EP's Let It Burn also released a single Canadian Cry to speak out against the silence and asking, "How can you sleep at night?"

Heart Tugger of the Year Award - Rellik's Hank Williams meets Tupac Shakur ballad The Hour about his late mother is beautiful and sad in all the right ways. The guitar is simple and soulful, Nathan Cunningham adds the hook and you have a song that deserves the names referenced.

Biggest WTF Moment of the Year 
- In June, Billy Ray Cyrus is the headliner at Aboriginal Day Live. The organizers must have thought this would bring some much needed mainstream media attention to the event. The only way that would have happened with Billy Ray Cyrus as a headliner is if he twerked his bum against Robin Thicke's crotch during the performance. This is one of the great years for Aboriginal Music and...and...WTF?

B-O-M-B of the Year - A Tribe Called Red dropped a bomb right on American Thanksgiving when they released Burn Your Village to the Ground. The single was trending on Twitter that day and the Huffington Post had it on their front page. The single builds around a speech by Wednesday Addams from the movie Addams Family Values. Wednesday shares that the Native Americans have learned the true intentions of the settlers and will now burn their village down. It is hilarious and menacing and you can dance to it. It may well become a Thanksgiving Classic.

How We Got our Groove Back Award - This was the year in which Native music reclaimed it’s sexuality in a big way. Meet Me at the Pow Wow by Lightning Cloud and Leonard Sumner was filled with cultural references, inside jokes, questionable pickup lines and a singalong chorus for the Men and for the Women. It was the Snagging Anthem of year. Digging Roots goes All Night Long to kickoff their For the Light album. Raven is singing about going deep enough for you baby and he doesn't mean his baritone. I played Crystal Shawanda's Cry Out For More at 2 in the afternoon on my radio show and I was blushing....my, my, Crystal.
It would seem to be some kind of cosmic karma that the original Native American come-on classic would make a comeback forty years later. It was certainly cosmic.

Come back of the Year - Red Bone's Come and Get Your Love was featured in Guardians of the Galaxy which became the biggest movie of the year and the top selling soundtrack of the year.
RedBone's funky classic kicked off the movie that many people are calling a Star Wars for a new generation. The song written by the late Lolly Vegas was the first song by a Native American group to reach the top of the billboard charts. Ring up a few more number ones to that list after this year.

Debut of the Year - Rikki Linklater's The Last Time sounded like Taylor Swift was making the kind of music that made us fall in love with Taylor Swift in the first place.

Album of the Year – Crystal Shawanda – The Whole World’s Got the Blues. This is the best album in a very, very good year. Not just for Native Music but for Canadian music. It is the Golden Age. The star on this glorious year in music is Crystal. I don't think it was easy to make this record. A continuation in the new country genre would be the critical and commercial safe bet. Crystal broke down all the barriers and released the album that sounds like the record she was born to make...bluesy, ballsy, hot and heartbreaking.
Crystal may have come up in Country but her voice always had a raw edge that was too much for Country to contain.  She's more Janis Joplin and Etta James than Martina McBride and "The Whole World's got the Blues" let's us hear that voice. This isn't computerized. The pain, the anger and the pleasure; it's all right here. The lyrics delve into the deepest darkest regions of the soul of Canada itself. It is the best album of the year in Canada. It may be the best album of 2014.

Collaboration of the Ages Award - Dawn Star Rising is the first truly Canadian contribution to the world of ballet. The story of the two young Native People who find that their lives in the city remain imprisoned in the cycle of violence and rape that began in the Indian Residential Schools. There are many moments of breathtaking beauty and heartbreaking silence in this historic work. There is a moment towards the end of the performance. A women is singing a solo hand drum song and it is filled with hope and is gorgeous at the highest. Then the strings come in. The Winnipeg Symphony Orchestra joins in with the drum and it takes all I have not to break down and start crying. Maybe there is hope for us to make something beautiful together after all.

Tanya Tagaq Wins Polaris Prize- It is the most prestigious award in Canadian contemporary music and this year the winner was Tanya Tagaq's Animism. Tagaq's selection continues the tradition of the Polaris where winners are often the most complex and challenging music of the year. I am not going to lie to you. I didn't get Tanya's music. I understood it. I respected what she was doing. But that's not what music is about. That is not what art is about. If you can't feel it, you don't get it. 

I was fortunate to be in the audience when Dawn Star Rising made it's debut. In the beginning of the second act after you have been introduced into the reality of the residential school legacy the second half takes you into the horrors of the past. In the darkness the voice beats and we see Tanya centre stage. She moans and grunts and screams and each breath and gasp and rise and fall and fire and will and life define what words cannot. I got it.

The Tour of The Year - Red Ride 2014 featured Kristi Lane Sinclair and Cris Doerksen two artists who are making some of the most dynamic music around. They performed with special guests including George Leach, Iskwe, Nick Sherman and others on every stop of the tour and we can only hope that the Red Ride continues to roll and grow.

Industry Builder We're Gonna Miss Her Award - Miss Melissa is heading to the Desert and a new gig at a rock n roll station in Phoenix Arizona. She built Streetz FM with her bare hands and the proverbially blood, sweat, and tears. The National Aboriginal Music Countdown is an institution that was built on the credibility of her voice and personality. 

Language in the Music Award - Tall Paul put his Prayers in a Song and showcased the struggle to maintain your identity in this world and threw down a challenge for our own community when he rapped how culture is "More than Frybread and Contest Powwows." Digging Roots brought in the flavour of the language to the title track of their album To The Light.

Drop the Mic on 2014 Award: The year ended with Derek Miller dropping his latest disc Rumble. Miller covers the Link Wray classic Rumble which has the distinction of being the only instrumental to be banned from the airwaves for being dangerous. That's how you end a year.


***

This is just what I heard. Great new music from a number of artists that didn't make the list but deserved to be heard such as Teagan Littlechief, Hugh Poorman, Janet Panic, Donny Paranteau, Gary Farmer and the Trouble Makers, Murray Porter, Kinnie Star and on and on. Here are other lists of artists and music that you might want to check out.

RPM's Best Indigenous Music 2014

RPM'S Best Indigenous Videos 2014

Saturday, January 25, 2014

Phil Fontaine gets greeting worthy of the Native Face of The Keystone Pipeline

I do not know the name of the President and CEO or the Founder or the Spokesperson or anyone who would represent the face of TransCanada.

I do know that TransCanada is the name of the company that is building the Keystone pipeline. I know the Keystone pipeline has become the literal line in the earth. The line that cannot be crossed. Not only for Native People but for non-Native people as well. That part is obvious.

What isn't so obvious is what former National Chief Phil Fontaine was thinking when he took on the role of "Native Face of the Keystone Pipeline". In the midst of a resurgent Native rights movement that has networked internationally through the Idle No More campaign, he should not have been surprised with the response he received in Winnipeg.

On January 23, Fontaine was making his first public appearance back home and his first major speech since becoming the Native Face of the Keystone Pipeline. Guess what happened? He was met with protest.

Yes, the images of the former National Chief being shouted down before having a chance to speak at the University of Winnipeg are embarrassing. It's Native people yelling at Native people and the whole thing looks like the climax of Who's Afraid of Virginia Wolfe. With the accusations creating feelings of awkwardness and shame but no real damage. "You're as traditional as a tootsie roll," someone screamed out. Yeah, pretty embarrassing.

Nevertheless, I have to commend the people that stood up and took a public stance even though it would be seen as acting against one of their own. They were there because they had been compelled. This is the line in the earth.

We know Fontaine was there because he was getting paid. Winnipeg may be his home turf but the city also has the largest population of Native people in Canada and has hosted many Idle No More actions.

What happened seems predictable in hindsight and when results occur that are not surprising we usually consider the action planned.

Phil should have known. If he didn't know, that's a blemish on his character or his intelligence. People in TransCanada knew, that's why they got Fontaine on the payroll.

Before Fontaine became the Native Face of The Keystone Pipeline he was the most reasonable Native Leader of Our Time. Why deal with pesky or uppity when you can deal with reasonable? The image of the calm softspoken white haired Fontaine being challenged by a group of people with drums and facepaint dovetails into the classic Canadian stereotypes.

One one side the noble Indian and on the other side the pesky savage. It's the grand trope of western society. They never get tired of that one. In the battle for hearts and minds of the mainstream Canadian public; there is no doubt whom the majority will support.

If the line in the earth can be defined by the reasonable Fontaine on one side and the thuggish modern day savage on the other side that perception can only benefit TransCanada.

Why do I get the feeling that somewhere in TransCanada's communications' bunker people are smiling, laughing and high-fiving each other.

I like Phil. He seems to be a good man, but he's on the other side of line in this one and my gut is telling me that he is not just getting paid, he's getting played.

Friday, June 14, 2013

Elijah Harper and the Meech Lake Accord. South Africa and The Canadian Media.

I had put this blog aside with the intention of focussing on fiction and writing that was not current events and news related. The recent passing of Elijah Harper, the Cree man who stood up to the powers that be and changed history in Canada reminded me that our story is not always being told honestly by those whose profession is based upon sharing fact.

The journalists, the storytellers of record, have ignored Native People at best.  At worst they have been eager allies in historical and cultural genocide. It is said that journalists write the first draft of history. Other voices must be heard. Our voices must be heard.

When I came to the profession, I came as a convert. I had attended journalism school with the idea that it would be a good place to get the background required to work in advertising. I hadn't given the profession any thought.

I had a job the previous summer in building where an Advertising Agency was leasing space. The guy that worked there had a Mickey Mouse watch and all the walls were covered with images from some of the big campaigns they had done in the city. A grown man wearing a Mickey Mouse watch.  It sure seemed like a better way to make a living than filing papers or swinging a sledgehammer on the railroad. I was going to be a Mad Man.

I decided that the Program in Journalism for Native People would be a place where I could get the writing and production background required to get a step up in the field of advertising. Instead, I met Native People from all over the country who had come to the University of Western Ontario in London, ON with the singular goal of telling the stories of their people. They wanted to tell the stories of their communities and their families and their histories. Their own lives and their struggles. Their truth. A light switched on. I looked at myself and the things I had seen and heard and experienced. I had stories to tell.

I never thought it strange that the Masters of Journalism students were using computers and the students at the Program were using typewriters. Manual typewriters with carbon paper. It wasn't the tools. It was always about the stories. I thought they were learning the same thing. Give voice to the people. Comfort the afflicted, afflict the comforted. Just the facts, ma'am.

At CBC Radio in Winnipeg, I had a first real time lesson in how the media operates in Canada. We were witness to the rise of the nations against South Africa and the outpouring of protest to end this totalitarian state.  Racism and Fascism upheld by constitution and brutally, horrifically enforced. It was a story of great historical importance a lesson to all humanity about what is right and wrong and it was unfolding before our eyes.

I had heard at the time that there may be a connection to the regime in South Africa and Canada. That in fact the South Africans had built the Apartheid system following the lead of the reserve system and The Indian Act legislations right here in Canada. A local angle on a big international story. I also thought that this was our job. We tell the story as honestly as we can so that our audience, our fellow man, can not simply judge but hopefully learn.

I remember the looks, the venom in some responses and harsher silent disdain. Being told that this was an out right lie and had no basis in fact let alone truth. I was 23 at the time. Still unsure and trying to keep my head above water inside the Mother Corp. I didn't push back, but I knew that the reaction suggested that the truth was being denied perhaps ignored.  (The story has never been fully investigated to my knowledge and it is an important event in defining Canada. See links below)

I have always been skeptical of the media since those early days and it has served me well. There are numerous other smaller examples but most significant is the reaction of the Canadian media to Elijah Harper and the death of the Meech Lake Accord.

The Meech Lake Accord was negotiated to bring Quebec into the Canadian Constitution. The province refused to sign the Constitution of 1982, which brought the constitution to Canada from England.

The Meech Lake Accord provided no consideration for the Native Peoples of Canada. The negotiations for the Meech Lake Accord were so drawn out the deal required unanimous support from all the provinces. In Manitoba this meant that all Members of the Legislative Assembly had to provide a yes vote in order for the Accord to live. Elijah Harper was an MLA. He said, "No". The Meech Lake Accord died on the floor of the Manitoba Legislature.

In the days that followed, the debate raged over who was responsible for the death of the Meech Lake Accord. It was unsettling. The facts seemed straight forward. The media seemed to be scrabbling together, in an unspoken and determined manner, to denounce and deny that Elijah Harper, A Cree Man had single handledly crushed all their machinations.

If Newfoundland would have done this and the Supreme Court that and on and on. There were all these things that could have happened but didn't that caused the thing that did happen to happen. I felt like Will Farrell's character from the movie Zoolander, "I feel like I'm taking Crazy Pills." Although the reference was yet to exist.

We chugged along with the newspaper. Nativebeat, the Beat of a Different Drum. It was all passion and faithful to the cause.

That fall my wife and I were invited to "The Gathering of the Giants." It was a fundraiser for the UWO Master's in Journalism Program and it brought together all the greats in Canadian broadcasting. Shelly and I along with other young alumni from the Masters Program were going to ask each of the Greats some questions on stage and then have dinner with them.

I had never driven into Toronto before. I had no idea what rush hour traffic was. I didn't know it wasn't an hour. We were too late.

Dean Peter Desberats interviews our Giants instead.(I still feel bad for Peter about that. He worked as hard anyone I know to give something back to Native People. He sincerely believed that journalism was the key to changing things for the better. There are many of us who owe our entry into the profession to Dean Desberats.)

My wife was going to sit with Barbara Frum and I with another Giant. We would both have to explain our lateness and have dinner in the company of those who dream to one day be a Giant or those who want to sit at the table with a Giant.

Lloyd Robinson, Barbara Frum and a whole bunch of Peters -  Mansbridge, Gzowski, Jennings
And I'm sitting with someone I do not know. I have done no research what so ever. That wasn't bad journalism. That was life. We are giving everything we have to publish Nativebeat, I am working at CBC in Toronto, we have 5 kids and a sixth on the way. When I was told I didn't need to do any research. I did none.

I explain my lateness. He seems understanding and we begin to chat about the evening. "It's too bad that you didn't arrive in time to do the interview. What questions would you have asked?" I tell him that I would have asked the same questions. He's puzzled, he thought all the young journalists would do their own research and craft their own questions. I told him that was my understanding. I explained that two weeks before the event we are sent a list of questions and told to stay on script. He seems perturbed. I agree it's not in keeping with the profession.

He soon adjusts and then asks, "What would you have asked me, if it was up to you."

I can't say at this time how quickly I responded. It could have been whipsmart, I don't recall. I do know that it was the question that had me puzzled.

"Why doesn't the media acknowledge that Elijah Harper killed the Meech Lake Accord?" I did not know at the time whether the Giant I had sat with had written anything about the Meech Lake Accord. All I know is that he took great offence to my question. He came back with stern force. My question was a direct attack on the credibility, the integrity of the whole room.

He went with the Wells Defensive. "We don't know what would have happened in Newfoundland with the Clyde Wells government..." That kind of thing.

I responded with the response I had prepared. "But we are journalists. All we have are the facts. Not what could have happened. The facts are. Elijah Harper said "No" and the Meech Lake Accord died."

He never spoke to me for the rest of the night. My wife was also ignored, but her lateness was a big enough sin at the Frum table.

In the morning of Elijah Harper's death, I watched the media coverage closely, in early reporting he was described as "key player" and "played a role" in the death of the Meech Lake Accord. As the day moved along it soon began to change and an expression closer to the truth emerged. "His vote killed the Meech Lake Accord", reported the Winnipeg Free Press. It was important that the fact is stated as simple as that in a newspaper of record.

It was acknowledged. It would have been nice if his place in history was more reasonably accepted and openly discussed during his lifetime. Although, I suspect that he did not seem to hold much concern in that regard. In the statement released by the family the focus was on his interfaith work.

"He was a true leader and visionary in every sense of the word. He will have a place in Canadian history, forever, for his devotion to public service and uniting his fellow First Nations with pride, determination and resolve. Elijah will also be remembered for bringing Aboriginal and non-Aboriginal people together to find a spiritual basis for healing and understanding."

Elijah Harper showed the world that one person can stand up against the government and the media and all the forces at their disposal and single handedly change the course of history. That is a fact.


-30-



================================


LINK SOUTH AFRICA - CANADA CONNECTION




Canada's Long History with South Africa

"It is not often realized that Cape Town was one of Canada’s first foreign missions, being established in 1906, and a pre–World War One veterinary research program between the Canadian Department of Agriculture and the Onderstepoort Veterinary Institute was Canada’s first international cooperation program. We were allies during the First and Second World Wars, engaging in joint training initiatives as part of the Commonwealth’s efforts." - Keeping the Dream Alive 

http://reviewcanada.ca/essays/2013/03/05/keeping-the-dream-alive/




Providing a playbook

Canada’s support for Israel has taken many forms, but perhaps its greatest gift has been a real-life how-to guide for establishing and maintaining a settler society that includes an array of strategies, tactics, and programs for taking land, subjugating Indigenous populations, and weakening their resistance. It’s also worth noting that many of these tactics and strategies were used by the South African apartheid regime, including the Bantustan system and the use of the Dom Pass to restrict the movement of black South Africans.

Wednesday, January 2, 2013

2012 - The year in review

Last year's newsmaker of the year for 2011, Chief Teresa Spence deserves to be acknowledged as the individual newsmaker of the year. But Newsmaker of the Year has to go to the Idlenomore Movement, the grassroots and online revolution that is growing everyday. It was the year in which the people stood up and declared, we will be idle no more. Where will the movement go in 2013 will be the testament of whether it comes to an end or becomes the change we seek. A revolution of spirit and ideas and vision exercised in every action.

Another social media campaign brought attention to the issue of Native American mascots on sports teams. Ian Campeau aka DJ NDN of a Tribe Called Red started a facebook and social media campaign to pressure the Nepean Redskins. Metro is the largest and most widely distributed free daily newspaper in Canada. On it's website it asked readers if the Nepean Redskins should change their name because it was racist. Almost  85% of responsdents said the name was racist and should be changed.
A Tribe Called Red recorded Canada's new championship anthem according to a poll on CBC Radio. Their song Electric Powwow   was not just the championship anthem it was the anthem of the summer of 2012.


It was a great year for music with standout releases by Plex (Demons), Janet Panic (Samples), Chrystal Shawanda (Just like you) which included my choice for single of the year, Fight For Me.

Bear Creek has nailed it with their  album Right Now. The drum group from Sault Ste. Marie  has written an anthem of their own with "Together Again".

Why is Don Amero not huge? The Winnipeg boy has got it all. Great songs, great voice, great looks and charisma to burn. His album "Heart on my sleeve" lives up to its name. The songs are intimate and almost too sincere but Amero's honesty carries the songs to another level. Beautiful work, world class pop.

My favourite record of the year was the soundtrack to the Documentary "Searching for Sugarman" one of the most inspiring films of recent memory. 

It was my good fortune to work with the Winnipeg Aboriginal Film Festival this year and had a chance to see some films that are not easily available outside of Native film festivals. I thought that Smoke Traders was the most controversial and compelling documentaries I have seen in a while. The protagonist in the film is challenging First Nations across Canada to seize their rights and participate in a potentially multi-billion dollar a year business.

My favourite film of the festival and huge audience favourite is the mockumentary More than Frybread, The film is "llol" literally laugh out loud funny. It is also endlessly quotable - "The wolves will even cry when they hear his name."  "He's the Jim Morrison of frybread." "There's a reason it's called Navajo Frybread, because Navajo Frybread is the best." "It's not about being overconfident it's what I call visionary."

Flooding Hope - The Lake St. Martin Story is the heartbreaking story of the intentional flooding of the Manitoba First Nation by the province of Manitoba.

The opening night film with actors Chaske Spencer and Tantoo Cardinal in attendance was Shouting Secrets.  A family drama that was not written for a Native American family but which evolved into a Native American family during development. The performances are wonderful across the board and the use of a cellphone message in this indie film is one that I bet will be seen in some big Hollywood film down the road.

Dakota 38 is the story of the largest mass execution in the United States. Under the orders of Abraham Lincoln, 38 members of the Dakota Sioux nation were hung at the same time on a massive gallows built for that sole purpose. It's the Lincoln film that Steven Spielberg doesn't want you to see.

In another story that lit up the twitterverse, Justin Beiber declared his Native heritage in Rolling Stone magazine. Unfortunately he described his lineage as "enough to get free gas". The teenybop star's comments inspired a pilebag from all corners with many Native people joining in the fun. Was that really necessary? He's a kid. The fact that he is acknowledging his ancestry is a good thing. Do you honestly believe that there aren't many young Native youth who have as little understanding of their own heritage, history and rights. Beiber's comments were a condemnation of the Canadian education system more than anything else.

And finally, the feel good story of the year, Native boys bring home the cup.  Jordan Nolan (Ojibway) and Dwight King (Metis) were part of the surprising Los Angeles Kings team that brought the City of Angels its first ever Stanley Cup. In the celebrations every member gets to take the cup home. Which also gets my vote for image of the year and it was the picture of Jordan Nolan holding the Stanley Cup over his head while standing on a bridge with the words "This is Indian Land" painted on it. Come on Toronto Maple Leafs think about it, the last time you won the cup, George Armstrong was the captain.